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Giardino: Max Fridman. III. No pasarán. Glénat 1999.
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19 €
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Hardcover, excellent condition, 56 pages. Size 24 x 22 cm.
Max Fridman is one of the three essential series in Vittorio Giardino’s opus. Sam Pezzo, Max Fridman, and Jonas Fink are the series that mark his evolution from the hard-boiled genre towards historically complex narratives. The first series is set in the 1970s, the second in the late 1930s, and the third in the 1950s. Sam Pezzo, a comic noir, a detective series, is done with a black and white technique, with more black than white, somewhat resembling the chiaroscuro of Alack Sinner by Carlos Sampayo and José Muñoz. But with a much stricter drawing style that has no intention of deconstructing its graphic form. Furthermore, after Sam Pezzo, Giardino will move in the opposite direction from playing with darkness, towards the “clear line” and color.
The first album about Max Fridman, Hungarian Rhapsody (90 pages), is a leap of seven miles in Giardino’s career. Some consider Hungarian Rhapsody one of the best European comics of the 1980s, which immediately became an instant classic. With this graphic novel, he enters a phase of more complex storytelling, without length restrictions, which was characteristic of Sam Pezzo’s adventures. Hungarian Rhapsody was published in 1982 and won the Yellow Kid award (Lucca) that year. The Max Fridman series is set in Europe of the late 1930s, moving towards World War II. Chiaroscuro was abandoned in favor of color, and it was a clear and definitive transition to the “clear line.” Since then, Giardino has been coloring his comics using watercolor. The second part of the series, The Gate of the Orient (62 pages), was released in 1986. No Pasaran is this series’s final and most extensive work (spanning 162 pages). It is dedicated to the Spanish Civil War and was published gradually over about ten years, in three books: in 1999 (54 pages), 2002 (46 pages), and 2008 (62 pages). Wikipedia.
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